Krizz Kaliko

Strong Survive presents

Krizz Kaliko

Slo Pain

Fri · December 29, 2017

8:00 pm

$20.00 - $25.00

This event is all ages

Krizz Kaliko
Krizz Kaliko
There are two kinds of crazy in this world — crazy you stay away from and crazy that manifests itself as

brilliance. Krizz Kaliko knows both ends of that extreme, whether by design or not.

Born Samuel William Christopher Watson, at age two — well before becoming musical co-conspirator to

Midwest rap legend Tech N9ne — he developed vitiligo, a skin disorder that causes loss of pigmentation.

His eyelids and lips are splotched white and he cuts an odd figure; in a crowd or alone, he’s impossible to

miss.

“Growing up, kids would pick on me and kids would bully me,” he says. “They’d throw rocks at me and

chase me home, because I looked different. It hurt. It changed me. Made me sad. But then, also, it made

me do things to alleviate that sadness. I learned to sing. I learned to dance. I learned to rap. I was a fat

little kid that didn’t look like anyone else — naturally, that became my biggest asset. Somehow, I became

pretty popular.”

Kaliko was reared in the racially-diverse suburbs of South Kansas City, Missouri. His mother was a

singer of local renowned gospel group; father, the superintendent of a Sunday school. He first stretched

his vocal cords in the choir, and, had it been up to his parents (they divorced when he was just 4-years-

old), he’d have gone on to a fine career as an attorney. After two years at Penn Valley Community

College he quit school. Something else was tugging at his soul. Something from his youth.

“My stepfather used to whoop on me,” Krizz says, “He was fresh out of the pen, and he was a terrible

dude. He was physically abusive and crazy, institutionalized crazy. Not only was he crazy, but also a

criminal. He made his bones robbing banks and committing other serious crimes. For Kaliko, step-pops is

an enduring source of much psychological pain.

“He terrified me” he says. “When people weren’t around and my mother wasn’t there, he’d abuse me.

And nobody believed what I said. It was like I was the crazy one. I thought about killing him all the time,

I’d think about it endlessly. Visualizing it, how I’d do it, I was that mad. I would get weapons from my

friends — bats, knives, or whatever it would take. I thought: I will kill him in his sleep. And then

miraculously the boogie man disappeared, he and my mother split up.”

Carrying his childhood scars, Kaliko spent his teens and early twenties drifting, not especially successful

or unsuccessful at anything, he opted to not continue with college. He went on to hold a series of odd

jobs. He was a grocery store clerk, corrections officer and even a customer service rep for VoiceStream

(later to be known as T-Mobile) meanwhile, he quietly pursued music by rapping and singing, not hewing

to any conventional standard for what it should sound like.

“I was just a fan,” he says. “And that allowed me to go in many different directions. I could identify with

country songs, gospel songs, Christian rock songs, songs that were meant for dancing, commercial songs,

non-commercial songs. I was and still am, a liberal thinker. I enjoyed everything, and through music I

could do anything, be anything. Most importantly, I could be myself.”

One artist who appreciated Kaliko’s approach was rapper Tech N9ne. The pair met in 1999, through DJ

Icy Roc, who once dated Kaliko’s sister. After paying Tech the whopping sum of $500 to feature on his

solo album, the Strange Music co-founder discovered Kaliko’s diverse skill set. He asked him to appear

on “Who You Came To See,” from his 2001 album, Anghellic, and then they began performing together

locally. It lead to a years-long series of collaborations — Kaliko writing, producing, featuring on, touring

with and generally being a musical wunderkind in the Strange Music family.

“It was like I was his musical muse, and he was mine,” says Kaliko. “We learned from each other. On

stage, in the studio— nobody has believed in me, wanted more for me, wanted the entire world to hear

and know and understand my talent, more than him.”

In 2007, Kaliko officially linked with Strange Music. Since then he’s released five albums, each one more

confessional, more expressively oddball than the previous. Songs in his oeuvre include: “Bipolar,”

“Misunderstood,” “Freaks,” “Rejections,” and “Scars,” as well as appearing on many others, endearing

him to society’s misfits. In recent years, he’s also become more clear-headed about who he is and what he

wants to do musically.

“For years I rapped and rapped well,” he says. “The fans enjoyed it, I enjoyed it. I made some good

music, but it was time to try some new things.”

That much is clear from his new album, Go, where he ditches rapping almost completely. Instead he

commands listeners to the dance floor, belts out melodies, softly croons, plaintively coos while generally

seeming to enjoy himself more than he ever has before. Yes, nearly a decade into his career, Krizz Kaliko

is rebranding, rebirthing — or as he’d say, returning to his roots — as a full-fledged singer. Pop, rock,

R&B, trap, funk, no genre is off limits, no scale unsung.

“I just wanted to make timeless music, songs that could play twenty years from now,” he explains. “Go is

a roller coaster ride. It starts out as dance, but then there are other parts where one might listen on a pair

of headphones, because it’s very meaningful. Other songs you might turn up in your car. Through it all,

I’m speaking from the heart.”

The album is chock full of earworms, songs both aesthetically-appeasing, yet also immediately

captivating and catchy. Case in point: the brooding “Stop The World;” folky anti-depression ode,

“Happy-ish;” or the shout-along “Didn’t Wanna Wake You.” Not completely abandoning hip-hop, songs

like “More,” featuring labelmate Stevie Stone, and “Orangutan” — with Strange Music all-stars Tech

N9ne, Rittz, Ces Cru, JL, and Wrekonize — invoke the crew’s knowing, trusty Midwestern flavor.

Mostly though, Go is a new sound; all frenetic, inspired energy. It’s the biggest, broadest, most accessible

project Krizz Kaliko has ever made.

“The truth is I’m an unlikely guy to be a pop star,” he says. “Look at me— I’m a big dude, I have vitiligo,

I get anxiety attacks, and I’m bipolar. But Top 40 radio and a global audience, that’s what this music is

worthy of. I’ve always been an unlikely dude to do anything, whether it’s music, working with Tech N9ne

or even being alive. Frankly, the odds being against me, that’s good, I like that. I have trust that the music

will ultimately reign supreme.”
Slo Pain
Slo Pain
Troll, also known as SLO PAIN, started rapping in a jail cell in 2002.
With nothing to do but read books or write songs he developed a taste of rhymes similar to what he listened to while growing up. Troll thrives on music! Some of his most inspiring artists are Ice Cube, ICP, Tech n9ne, twisted, Sugar Free and even old school Easy E, 2pac and Brotha Lynch. When he got out of jail he went straight to a halfway house. While in the halfway house he would go to school and use the computers to look up other local rappers on Myspace and found the scene that best suits his genre. The Horror Core scene in Denver has a lot of underground talent and a huge fan base, but it was hard for Troll to adapt with such a large amount of underground rappers. Fans wouldn't listen to just anybody. That's when he started changing his style so he could gain a fan base and start making his name and record label (Slo Pain Reckordz) more known in the state of Colorado.

Troll calls his style of music Dark rap or murder music.
Dark rap is a compilation of several different styles of rap, such as Horror Core, Hip Hop, Gangster Rap and even Club rap. After a year and a half of promoting his name and his style of music he gained a fan base. As his fan base grew he booked more and more openings for shows. Troll has opened for many artists, such as Esham, Any Body Killa, Black Pegasus, Liquid Assassin Scum and more. He has also played at the Gathering Of Juggalo's 2008. Troll is known for his very hype and energetic stage performance and for the ability to get the crowd motivated to the point where the venue shacks and walls crack. He is also known to open and close the show all in one set due to draining the energy from his fans.

Troll now has 2 other artists on his record label, several different lines of merchandise, one CD produced and another CD about to drop in mid 2009 titled "HIGHWAY EIGHTY SICKS"! The new CD HIGHWAY EIGHTY SICKS is going to blow the doors off the hinges and knock any other CD off the shelf with its new flavor and fresh collabs with Colorado's sickest and biggest names in the game. Troll is currently seeking out-of-state shows that will get him promotions and more Colorado opening slots with bigger named artists. For more info on Troll or Slo Pain Reckordz please visit the myspace links listed below. For booking info please email us at: slopainreckordz@yahoo.com.
Myspace.com/trollslopain
Myspace.com/slopainreckordz
Venue Information:
Mesa Theater
538 Main St
Grand Junction, CO, 81501
http://www.mesatheater.com