Waterparks

The Entertainment Tour

Waterparks

I Don't Know How But They Found Me, Nick Gray, Super Whatevr, De’Wayne jackson

Wed · November 21, 2018

Doors: 6:00 pm / Show: 6:45 pm

$17.00 - $22.00

This event is all ages

Waterparks
Waterparks
As they wrote and recorded their second full-length album Entertainment [Equal Vision
Records] out January 26, 2018, a wise prophet’s words stuck with Waterparks…
“Tina-motherfucking-Fey once said, “Everything that’s good comes from honesty’,” repeats lead
singer and guitarist Awsten Knight. “When you’re being that open, others connect. We’re not
vague and subtle in our songs. I want everything to feel colorful and real. This band embodies
that idea.”
Since their emergence in 2015, the Houston trio—Awsten, Otto Wood [drums], and Geoff
Wigington [guitar, backing vocals]—have kept it real and catapulted to international renown as
a result of a signature style that seamlessly slips-n-slides between rock, pop, and alternative.
Their full-length debut, Double Dare, earned a rare 4.5-out-of-5 star rating from Alternative
Press and spawned the hit “Stupid For You,” which generated over 4.6 million Spotify streams
and counting.
On the road, they tore up venues everywhere alongside All Time Low, Good Charlotte, Sleeping
With Sirens, State Champs and more in addition to selling out their first UK jaunt and 14-out-of23
dates on a US co-headliner. Among various accolades, Awsten graced the cover of
Alternative Press for the Warped Tour issue, and the entire band covered Rock Sound.
Not only did they play the Alternative Press Music Awards, but they took home the award for
“Breakthrough Artist” and garnered “Best International Newcomer” from Rock Sound. In the
middle of this whirlwind, they hunkered down and created Entertainment. For the first time,
they switched up the writing process and traded H-Town for Los Angeles.
Awsten holed up in a North Hollywood Airbnb, but he wasn’t alone…
“The place was totally fucking haunted,” he recalls. “There would be random door closings. One
night, I literally heard a couple of female voices whispering in my ear, ‘It’s okay. Come with us.’
It felt super demonic. Then, it was all quiet when I got up. I was like, ‘Fuck this.’ I stole some
Holy Water and sage from a catholic church, but I said a prayer and apologized since I needed
it. It was definitely a different creative process.”
Having exorcised the living quarters, the bandmates hit MDDN Studios with producers Benji
Madden [Good Charlotte, 5 Seconds of Summer] and Courtney Ballard [5 Seconds of Summer,
All Time Low] behind the board, reuniting the Double Dare team.
“It was nice to get out of that haunted ass Airbnb,” laughs Awsten. “It worked so well the first
time with Benji and Courtney, so it made sense to do it again. It’s such an easy process with
them. They trust our songwriting.”
The boys introduce Entertainment with the upbeat, up-tempo, and undeniable anthem
“Blonde.” Palm-muted guitar kicks off the verse before building into a stadium-size refrain, “I
think the blondes are done with fun. At least it’s all about you.”
“It’s the closest thing to Double Dare,” he explains. “I wanted to come out with a fucking
smasher that’s fast. It captures all of the elements fans liked from Double Dare and puts them
into one song. As far as the lyrics go, they discuss the stresses and pressures I’ve felt from
touring. I try to disregard them as much as I can as they wear on you. This is the first release
where anybody is paying attention and watching. I quit looking at comments online, because I
don’t want to see good or bad mentions. That many opinions one way or the other never
helps.”
Elsewhere, “Not Warriors” builds from eighties-style synth swells into a hypnotic and hardhitting
refrain. “Again, it was written around a time of heavy touring,” he goes on. “My
girlfriend is an actress, so she’s often gone as well. It’s about having a small amount of time
together and wanting more. It’s bittersweet. I get to do what I want, but I miss her.”
“Crybaby” embraces more sampling and programming, illuminating the group’s growth.
Meanwhile, “TANTRUM” (purposefully in all caps “because it’s loud”) stands out as a full-on
rocker that “borders on hardcore.” At the same time, there’s the ebullient “Lucky People,”
which Awsten calls “The most Michael Bublé, Jazon Mraz-ass song ever! If I was a ukulele guy,
that would’ve been a ukulele song…”
They’re not ukulele guys though. They’re just Waterparks, and that’s more than enough at the
end of the day.
“I want fans to hear Entertainment and know we’re just being real,” he leaves off. “We don’t
want to be pigeonholed. We can make rock, we can make heavier music, and we can sound
pop. It’s who we are. Ultimately, it all comes down to the hooks and songs. These are the
biggest and best we can write. I know every band says that, but fuck it. I’m being honest.”
I Don't Know How But They Found Me
I Don't Know How But They Found Me
is a band out of time. One who faded away into obscurity after struggling to find success in the late 70's and early 80's. Only recently, the internet has begun to uncover the performances and recordings of a band that the world wasn't ready for.
Perhaps the world is ready now...
Super Whatevr
Super Whatevr
It’s what’s guided the Orange County, California quartet—singer/guitarist Skyler McKee, drummer Josh Gomez, bassist Josiah Beason, and guitarist Nate Wickander—to this point, and now, with their debut full-length Never Nothing, it’s a trait they’re not about to abandon.



On its surface, Never Nothing is the sound of an up-and-coming band developing their style, bursting with nervous energy, buoyant rhythms and earworm melodies. But spend some time with the songs, and you’ll begin to uncover the weighty themes the band has expertly hidden inside them.



Super Whatevr’s songs don’t seek to push away the darkness. Instead, they invite it in, realizing the only way to move past life’s problems is to tackle them head-on. They’re songs that force listeners to confront the ugliness in ourselves (“Telelelevision”) and those closest to us (“For You”). They come from a dark place, but they’re undercut with a ray of hope.


From the album’s title (“The concept of the album title is that [what might be wrong with you] is never ‘nothing,’” McKee says) and symbolic artwork (a piece called “Out Of You Becomes Me”) to the songs themselves, Never Nothing is a comprehensive, cathartic work about pushing past your demons on the way to self-betterment. Above all else, the band hope it’ll serve as a conduit for happier lives—and not only their own.



“I don’t need to be your savior, but I can be the person who can push you to the place where you can get better.” XX
De’Wayne jackson
De’Wayne jackson
Venue Information:
Mesa Theater
538 Main St
Grand Junction, CO, 81501
http://www.mesatheater.com